Weaving Emotional Truth Through Your Story

by Lorna Kerin Beall

Happy Thanksgiving! What are you thankful for? I’m thankful to God for His abundant love and blessings, especially that He sent His Son to be our Savior.

Regarding writing and weaving stories, I wanted to share a little more from what I learned from Suzanne Morgan Williams, the author of, "Bull Rider," at The Society of Children’s Book Writers and Illustrators’ Conference I attended recently.

There's an old writing adage, “Write what you know.” But do we really have to stick to what we know or have personally experienced?” The answer is a resounding “No!” I’m sure Ms. Williams has never ridden a bull! (Though I did ride my steer, Cocoa, but he was as gentle as a newborn calf.)                                

Suzanne explained how we can transfer some of the emotions or knowledge that we gain from different life experiences to the characters in our story. She shared how being around her uncle with Parkinson’s disease enabled her with the characterization of Ben, the brain-injured, partially paralyzed war vet, in her book. Her dear uncle sat there crying when Parkinson’s finally took his voice. Like her uncle, Ben had to struggle to get out a few sometimes-incoherent words. Suzanne also used something that happened to her daughter when describing Ben. When her daughter was in the midst of a divorce she’d blurted out, “Nobody will want me,” and the author was inspired to have Ben cry out, “Nobody will want me.”  What makes this so powerful is that it rings true.

Have you experienced something that evoked strong feelings or emotions in you? Draw on those feelings to enrich your story. Your experience provides the emotional content of the story – and more importantly emotional truth. Even if you're writing a genre piece like horror or fantasy, weaving in the emotional truth of a character will elevate that story to a higher level.

Older than Dirt

by Lorna Kerin Beall 

I'm used to going to writers' conferences where many of the attendees are retired. It makes me feel young! But you know you are older-than-dirt when a youthful and vibrant lady editor tells you that you should put romance in your middle-grade novel with a 12-year-old protagonist and you stare at her blankly.

Apparently, I'm not the only one who has experienced this revelation. Author/speaker, Suzanne Morgan Williams told about a time she was interviewing a teen bull rider while doing research for her now published Y.A. novel, Bull Rider. She’d formerly interviewed several older bull riders, one whom answered every question with a one word answer, often yes or no. So she was thrilled to find a bull rider who was the perfect age to share the teen perspective. He even admitted to blacking out in his first ride. (That was evidently quite common.) He told her about his many youthful experiences including his emotions of fear, courage and pride. Just as Ms. Williams was starting the interview the teen’s phone rang. It was his mom and she was concerned that he was in the hotel bar with other older bull riders. He wasn’t drinking and told his mom that he’d be right up and not to worry, he was with a really old lady!

But Suzanne had a totally different experience where she interviewed an 80+-year-old elder of a tribal village. When he found out from the translator that she was only 55, he wouldn't talk to her because she was too young! When she explained to the translator that she was writing to help children, the revered elder totally reversed himself, and told her all kinds of things, even demonstrating a spear throw to the wall and showing her some kind of animal skull.

So perhaps age is relative. The good thing about being older is that you have the time to explore the child in you. In my opinion you are never too old or too young to write a story. Just let that child or elderly person come out to play!